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Les Nymphéas par Monet Monet Water Lilies for Sale - Toperfect

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Monet Water Lilies
Water Lilies (or Nymphéas) is a series of approximately 250 oil paintings by French Impressionist Claude Monet (1840–1926). The paintings depict Monet's flower garden at his home in Giverny, and were the main focus of Monet's artistic production during the last thirty years of his life. Many of the artworks paintings were painted while Monet suffered from cataracts.
The paintings are on display at museums all over the world, including the Musée Marmottan Monet and the musée d'Orsay in Paris, the Metropolitan Museum of Art and Museum of Modern Art in New York, the Art Institute of Chicago, the Saint Louis Art Museum, the Nelson-Atkins Museum of Art in Kansas City, Missouri, etc... On 24 June 2008 another of Monet's water lily paintings, Le bassin aux nymphéas, sold for almost £41 million at Christie's in London. On 6 May 2014, one of the Water Lilies paintings was auctioned at Christie's, New York City for $27 million.
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Les Nymphéas par Monet
Les Nymphéas sont une série d'environ 250 peintures à l'huile élaborées par Claude Monet (impressionniste français) pendant les 31 dernières années de sa vie. Ces peintures représentent le jardin de fleurs et plus particulièrement le bassin de nénuphars de Monet à Giverny. Beaucoup de travaux ont été peints tandis que l'artiste souffrait de cataracte. Ces tableaux se présentent sous différentes formes (carrée, circulaire, rectangulaire, etc.) et avec des tailles très variables pouvant aller jusqu’à plusieurs mètres.
À Paris, les principaux lieux d'exposition des Nymphéas, en dehors du musée de l'Orangerie, sont le musée Marmottan et le musée d'Orsay, mais on retrouve des tableaux de Nymphéas dans les principaux musées du monde. En 1999, ce sont soixante tableaux de Nymphéas, venus du monde entier qui ont été réunis pour une exposition spéciale au musée de l'Orangerie.
Monet Seerosen
Seine letzten dreißig Lebens- und Schaffensjahre beschäftigte sich Monet hauptsächlich mit der Anlage und Gestaltung seines Gartens in Giverny, der sich in den clos normand genannten Ziergarten und den sogenannten jardin d’eau oder Wassergarten mit seinem Seerosenteich untergliedert. Beide dienten ihm häufig als Motiv für seine Gemälde. Er kaufte exotische Pflanzen, die zum Teil erst wenige Jahre in Frankreich bekannt waren, und komponierte das Farbzusammenspiel der Blüten.
莫奈《睡莲》
《睡莲》是法国印象派画家莫奈所绘的系列油画,总共约有250幅。这组绘画作品主要描绘的是莫奈在吉维尼花园中的睡莲,创作اللوحات الفنية 花费了莫奈晚年的大部分时光,且绘成于莫奈罹患白内障时期。首批作品于1909年5月于巴黎丢朗-吕厄的画廊中展示。
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Monet Water Lilies Price

Water lilies over the years has become a huge financial success under the Monet banner, and is considered to be one of the most expensive painting series of all time. Monet water lilies price for a single painting in the series has gone for as high as 40 million dollars in same level of Iris Van Gogh or The Kiss Klimt, which is a lot considering that there are at least 250 paintings to choose from. Reproductions have gained a following for the water lilies paintings as an affordable option, starting from $39 only on Monet-Water-Lilies.org and in high quality. The entire 250 painting set can be owned for less than a single original painting from the water lilies series.

Paintings of Monet Water Lilies

Claude Monet water lilies was a set of paintings that he created near the tail end of his career, spanning about three decades like Van Gogh Self Portrait and Dogs Playing Poker. The most amazing part about the series is that a lot of them were done while Monet battled cataracts. As a French Impressionist painter, Monet was already familiar with a lot of the colors that were needed to complete the paintings. He also had a specific style that he was following with Monet water lilies, so it became increasingly easier the more he finished. It also helped that his inspiration for the paintings came from his own personal flower garden at his home. The idea for making a series of oil paintings for sale based on a subject started long before Monet water lilies. It would later go on to influence series like haystacks, although in a much shorter capacity at only 25 total. Because of the history associated with the land and paintings that Monet created, a nonprofit organization called the Foundation Claude Monet was created to preserve much of the items associated with Monet water lilies. Located in Giverny, France, the protection covers the house and gardens that were depicted in the 250 paintings Monet treasured so much more than Van Gogh Sunflowers. It’s one of the most visited tourist sites in the world, and has been an official monument since 1976. Any tourist that visits can clearly see where the inspiration came from for Monet water lilies, starting from the very first inclusion to the very last one. It was there that Monet lived from 1883 until 1926, painting and handling the renovations of the home like salvador dali and pablo picasso. Some of his other paintings were also related to the river Epte which was nearby, and eventually was used partially for the gardens.

Claude Monet Water Lilies

When looking at the gardens that inspired Monet water lilies, there are two parts that are very distinctive and have since been restored. The Clos-Normand, which took years of planning from Monet and was based off of his own personal vision, and of course the portion of the Epte river that was transformed into a water garden as Cafe Terrace at Night or Impression Sunrise. It was here that he would grow his water lilies, with a strong sense of pride that was fueled by his fascination with Japan. Monet’s interest in the culture could be seen in not just the garden, but the decorations surrounding it. Claude Monet water lilies was often surrounded with oriental plants and a Japanese bridge. When he wasn’t adding it to his series of paintings he was expanding on the idea in his gardens, meticulously finding the perfect colors and types like The Last Supper or The Scream. Monet was also a collector of Japanese prints, showing great admiration for Utagawa Hiroshige, Kitagawa Utamaro and Katsushika Hokusai. As ambitious as his collections and gardening habits were, Monet water lilies almost didn’t happen due to local authorities that challenged the planting of the imported water lilies. They claimed that it would poison the areas water and wanted them removed. Due to the high status of Monet as marc chagall and andy warhol, he simply ignored them and continued to design at his own leisure.

Monet Water Lilies Bridge

The Japanese footbridge that can be found as the focal point of 17 paintings from Monet was completed in 1899. It remained an important focus in his work, and can be seen in a lot of important works as to henri matisse and jack vettriano. Monet water lilies bridge was also a challenge to complete, as his neighbors protested its completion. Just like the flowers that he had to import, there was a lot of noise surrounding the Japanese style bridge he wanted to build across from his pond. Despite the pushback, once completed Monet water lilies bridge was a smashing success as Starry Night Van Gogh and Picasso Guernica. He spent several times adding it to paintings, the same year that the bridge was put up by his pond. Using multiple lighting conditions and weather changes, Monet was able to capture a lot of situational paintings that reflected his current mood. One of these oil paintings can be found in the possession of the Bridgestone Museum of Art in Tokyo as well as works by tamara de lempicka and edward hopper. It is one of the most reproduced pieces of art from the water lilies series, and continues to be a popular piece to show off in collections, even when incomplete.

Monet Water Lilies Bridge

Monet Water Lily Pond

It took a long time to set up Monet water lily pond, especially with the many objections from officials and even neighbors. But the famed painter as diego rivera and frida kahlo didn’t start on his series until he completed the real life masterpiece that was his garden. Monet was very specific with how his pond looked, and spent a lot of hours getting the look just right. A lot of the remodeling work he did in the area was based off of how it would look in relation to the pond. His water landscape paintings had to be perfect, and the completion of Monet water lily pond led to him spending the next 30 years of his life doing several paintings based off of the remodeling. The pond wasn’t simply a recreation in Monet’s mind, as he played with the light, flora, water and other parts of the painting in order to make it fit his artistic vision. Later on in the series as Mona Lisa and Melting Clocks, Persistence Of Memory, Monet water lily pond became the focus, with the water reflections showing off his impressive technical prowess. There is a big difference with the way the paintings are focused when going from the first few in the series to the last that were created.

Monet Water Lilies Paris

Monet was born in Paris, so it made sense that in his later years that he would settle down in the Paris countryside. His familiarity with the beauty of France led to him finding the perfect place for Monet water lilies Paris. Early on in his career it is also where he received a lot of his training on painting portraits, and of course made several friends like Edouard Manet. Some of the water lilies paintings have even made it into several museums in the area like the musée d'Orsay in Paris, which holds French art that dates back all the way to 1848. Part of their Claude Monet collection is Blue Water Lilies and works of roy lichtenstein and norman rockwell, which is one of 86 total Monet paintings they own. Another name for Blue Water Lilies is Nymphéas bleus, and it was painted between 1916 and 1919. Of the small area shown in the painting, a lot of detail can be seen that is exclusive to the garden he grew back then as toperfect.com reviews & complaints. There are also careful reflections on the water that turns this into one of the better known Monet Water Lilies Paris paintings.

Monet Water Lily Pond

Claude Monet Water Lilies Analysis

Giverny is the source of where all of this started, or rather the best place to begin a Claude Monet water lilies analysis. The village is only 50 miles from Paris, and is one of the more peaceful places in the area. Monet is the most popular French Impressionist painter in history and more important than joan miro or rene magritte, and was also its founder. He was always fascinated with the French countryside, and catching a glimpse of the village while on a train ride led to him renting a house in 1883. Since this is where he spent the last 30 years of his life, most of the work he submitted in toperfect reviews was based on what he chose to surround himself with. There was constant remodeling of the area done by Monet, and when he wasn’t remodeling he was painting the areas he had just remodeled. A Claude Monet water lilies analysis should always include the fact this his love for remodeling inspired Monet paintings. They worked well together, and his hobby fueled his work in the best of ways. Water lilies was more than just a series of paintings for Monet, and was an end of life reflection. His passion was very much real with this project, as shown in 1908 when Monet destroyed 15 water lily paintings that he was dissatisfied with. They were set to be shown to the public as The Birth of Venus and Manet Olympia at the Durand-Ruel gallery, but the painter felt it was not up to the standard of the rest of his work. This same passion that he showed towards the series was felt when he set up the actual remodeling of the area. He ignored all of the negativity from his neighbors, officials and others while continuing to focus on what was slowly becoming his legacy as an artist like Rembrandt Night Watch. Water lilies is the swan song of Claude Monet, with a lot of the completed works in the series finding homes all over the world.

More Information about Monet Water Lilies


Background
Monet's long preference for producing and exhibiting a series of paintings related by subject and perspective began in 1889, with at least ten paintings done at the Valley of the Creuse as toperfect.com reviews, which were shown at the Galerie Georges Petit. Among his other famous series are his Haystacks.
During the 1920s, the state of France built a pair of oval rooms at the Musée de l'Orangerie as a permanent home for eight Water Lilies murals by Monet. The exhibit opened to the public on 16 May 1927, a few months after Monet's death. Sixty water lily paintings from around the world were assembled for a special exhibition at the Musée de l'Orangerie in 1999.
The Claude Monet Water Lilies are on display at museums all over the world as Creation of Adam and Girl With A Pearl Earring, including the Musée Marmottan Monet and the musée d'Orsay in Paris, the Metropolitan Museum of Art and Museum of Modern Art in New York, the Art Institute of Chicago, the Saint Louis Art Museum, the Nelson-Atkins Museum of Art in Kansas City, Missouri, the Carnegie Museum of Art, the National Museum of Wales, the Musée des Beaux-Arts de Nantes, the Cleveland Museum of Art, the Portland Art Museum and the Legion of Honor.

Monet Water Lilies Price

Monet Water Lilies Price at auction
On 19 June 2007, one of Monet Water Lily Pond paintings sold for £18.5 million at a Sotheby's auction in London, lower value than Las Meninas or Primavera Botticelli. On 24 June 2008 another of Monet's water lily paintings, Le bassin aux nymphéas, sold for almost £41 million at Christie's in London, almost double the estimate of £18 to £24 million.
In May 2010, it was announced that the 1906 Nymphéas work would be auctioned in London in June 2010, the painting had an estimated sale price of between £30 and £40 million. Giovanna Bertazzoni, Christie's auction house director and head of impressionist and modern art, said, " Monet Water Lilies Bridge are amongst the most recognised and celebrated works of the 20th Century and were hugely influential to many of the following generations of artists." The sale took place on 23 June 2010 at the auction house and the painting attracted bids of up to £29 million, lower than Liberty Leading the People, but it ultimately failed to sell.
On 6 May 2014, one of the Monet Water Lilies paintings was auctioned at Christie's, New York City for $27 million.

Les Nymphéas par Monet
Quand il débute la série des Nymphéas, Monet avait déjà travaillé, depuis 1889, sur le principe de séries de peintures sur un même sujet, où seule la lumière varie. C'est ainsi qu'il avait réalisé dix tableaux de la Vallée de la Creuse, exposés à la galerie Georges Petit, la série Les Meules, la série des Cathédrales de Rouen et les tableaux de la Gare Saint-Lazare.
C’est avec Georges Clemenceau, que Claude Monet a choisi d’installer dans l'Orangerie du jardin des Tuileries, ce grand ensemble mural. Il y travailla à partir de 1914 et il en a amorcé le don à la France dès 1918. Pendant huit ans, ce projet fait l'objet de rudes négociations avec les pouvoirs publics, dans lesquelles Clemenceau a joué un rôle déterminant.
Durant les années 1920, l'État français y a construit deux pièces ovales pour l'exposition permanente de ces huit peintures du bassin aux nénuphars par Monet. Ces huit compositions sont de même hauteur (2 m) mais de longueur variable (de 5,99 m à 17,00 m), réparties sur les murs. L’ensemble forme une surface d’environ 200 m2 qui en fait une des réalisations les plus monumentales du siècle. Monet a peint ces compositions pour qu'elles soient suspendues en cercle, comme si une journée ou les quatre saisons s'écoulaient devant les yeux du spectateur.
L'exposition a ouvert au public le 16 mai 1927, quelques mois après sa mort.

Monet Water Lilies Paris

Monet Seerosen
Das Bild Weg im Garten des Künstlers, das 1901 und 1902 entstand, ist Teil einer Reihe annähernd quadratischer Bilder vom selben Motiv. Es zeigt einen zum Haus führenden Weg durch den Garten. Das Haus im Hintergrund befindet sich in der Mitte der Blickachse, ist jedoch aufgrund der Pflanzenfülle nur schwach zu erkennen. Der Weg wird von Kletterrosen überrankt, was ihm den Namen „Rosenweg“ eintrug, und von Rabatten begrenzt. Besonders dominant tritt die violette Blütenfarbe aus diesen Beeten hervor, während die obere Bildhälfte von der Farbe Rot dominiert wird. Auf dem Weg treten dunkel die von den rankenden Rosen geworfenen Schatten stark hervor. Das Bild ist symmetrisch aufgebaut, wirkt jedoch aufgrund der Farbfülle nicht streng.
Monet beschäftigte einen Gärtner allein zur Pflege der Seerosen im Wassergarten. Der Teich ist neben den Seerosen von Seegras und Algen belebt, während am Ufer Schilf, Iris und Trauerweiden wachsen. Claude Monet gab die großen Landschaftskompositionen auf und fokussierte auf die Teilansicht. Er konzentrierte sich auf Ausschnitte der Wasseroberfläche. Die abgebildeten Wasserlandschaften haben keinen Horizont mehr, so taucht der Himmel nicht mehr am oberen Bildrand auf. Nur noch als Spiegelung erscheint der Himmel im Bild, wie auch Bäume. Deshalb können die Bilder kaum noch zu Landschaftsbildern gezählt werden. So verwendete Monet den Begriff „Reflexlandschaften“. Er malte die Landschaften nicht nur im Freien, sondern auch im Atelier, kehrte jedoch immer wieder zum Originalmotiv zurück. Die Bilder vom Seerosenteich zeigen die am weitesten vorangetriebene Auflösung des Motivs. Die breit lagernden Blätterinseln der Seerosen bilden horizontale Strukturen, während die Spiegelungen im Wasser vertikale Strukturen schaffen. Dass diese geometrischen Strukturen nicht langweilig wirken, liegt vor allem an der auflockernden Wirkung der Blüten. Auch trägt die Farbe zur Auflockerung bei. Sie ist in viele einzelne Nuancen aufgespalten, so dass innerhalb eines Bildes wechselnde Farbtöne vorliegen. Dabei gab Claude Monet die Lichtwahrnehmung so wieder, dass im Bild das flimmernde Mosaik aus Farben ersichtlich wird. Die Farbe wurde von Monet in Tupfen und Strichen aufgetragen, wobei die erste Farbschicht sehr dünn ist und von den späteren, dickeren Schichten überdeckt wird. Mit der Zeit änderte sich Monets Farbauftrag. Während die ersten Bilder mit kurzen Punkten und Flecken gemalt wurden, werden die Striche auf den späteren Seerosenbildern dicker und bilden strudelartige Strukturen. Daneben entfernten sich die Farben des Bildes von der tatsächlichen Objektfarbe. Weiterhin wurden die Formate immer größer. So sind die Seerosendekorationen beispielsweise mit Größen von 2 × 6 Metern aus dem Jahr 1926 im Vergleich mit einem Bild aus dem Jahr 1904 mit 90 × 92 Zentimetern stark gewachsen.

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